CV

 CURRICULUM VITAE: DR JULIA RAMIREZ BLANCO, PhD

Lecturer in Art History, Barcelona University
Carrer de Montalegre, 6, 08001 Barcelona, Spain
julia.ramirez.blanco@gmail.com

EDUCATION AND PROFESSIONAL QUALIFICATIONS

  • PhD: Utopías artísticas del mundo contemporáneo, 1989-2012. Arte, movimientos sociales y utopía en Europa Occidental [Contemporary Artistic Utopias, 1989-2012. Art, Social Movements, and Utopia in Western Europe]. Complutense University, Madrid, September 2015. Maximum degree (Sobresaliente cum laude), European mention. 2015.
  • MA: Contemporary Art History and Visual Culturefrom Autónoma University (Universidad Autónoma de Madrid, UAM) and the Reina Sofía Museum (Museo Nacional Centro de Arte Reina Sofía, MNCARS). 2008-2009.
  • Educational Competence Certificate (Certificado de Aptitud Pedagógica, CAP) from the Instituto de Ciencias de la Educación of the Complutense University (Universidad Complutense de Madrid, UCM), Madrid. 2009.
  • Séminaire International de Muséologie: Ecole du Louvre, Paris. Editions of 2009 and of 2018.
  • Freie Universität, Berlin: Studies of contemporary art. 2007-2008.
  • BA: Art History, Complutense University (Universidad Complutense de Madrid, UCM), Madrid. 2003-2008.

GRANTS AND AWARDS

  • 2015-2016: Postdoc grant at the Reale Accademia di Spagna in Rome.
  • 2011-2015: Four-year Scholarship “Formación de Personal Universitario” (FPU) from Spanish Ministry of the Education for the completion of PhD thesis.
  • 2010-2013: Residency Grant at the Residencia de Estudiantes, a grant from the Madrid City Council. Renewed for 2011-2012 and 2012-2013.
  • 2009-2010: Grant for research preparation from the Autónoma University (Universidad Autónoma de Madrid, UAM).

LANGUAGE SKILLS

  • Spanish (native speaker).
  • English (bilingual level).
  • French (Delf B1).
  • German (Zertifikat Deutsch B1).
  • Italian (fluent).

  PUBLICATIONS

 BOOKS (SINGLE AUTHOR)

 EDITED VOLUMES

  • NON-TEXTUAL UTOPIAS/UTOPÍAS NO TEXTUALES, monographic issue of REGAC Journal, 2016, 2018. With texts by TJ Demos, Rachel Weiss, Timothy Miller, Dirk Hoyer, Dario Azzellini & Oliver Ressler, Fernando Araujo, James Block, Lorenzo Ganzo Galarça, Manoela Guimarães Gomes, Edson Luiz André de Sousa, Sofia Tessler & Léo Tietboehl, Laia Manonelles, Jorge Lopera & Efrén Giraldo, Kylie Banyard, Concepción Cortés Zulueta, Magdalena Schulz-Ohm, Nadja Gnamuš, Mercè Alsina, and Antonio R. Montesinos (English and Spanish).

BOOK CHAPTERS

  • “The Art of Occupation” in Pinilla, Rafael and Gramatikopoulos, Christina (eds.). Critical Cartography of Art and Visuality in the Global Age II. The Territories of the Contemporary. Newcastle: Cambridge Scholars Press, 2018 (English).
  • “Viaje, mito y logos. Las estrategias de desplazamiento de Muntadas” / “Journey, Myth and Logos. Muntadas’s Strategies of Displacement”, in Chillida, Alicia (ed.). Estrategias do desprazamento. Santiago de Compostela: Xunta de Galicia, 2018 (trilingual Spanish/English/Galician).
  • “Barcelona en Comú. Questions posées à un nouvel agir politique” (collaboration with Amelie Nicolas), in Penser depuis la frontière – Expérimentations méthodologiques et épistémologiques entre art et sciences humaines.Paris: Les Presses du Réel, 2018 (French).
  • “Símbolos del poder, sonidos de revuelta” / “Symbols of Power, Sounds of Revolt”, in VV.AA. Generación 2018. Madrid: La Casa Encendida, 2018, (bilingual Spanish/English).
  • “Reclamemos las imágenes, tomemos las palabras”, in García Alarcón, Ana (ed.). La distancia que nos separa. Madrid: Comunidad de Madrid, Sala de Arte Joven, 2018 (Spanish).
  • “Vers une politique du signe”, in Ordoñez Eslava, Pedro and Mora Luna, Antonia Maria. Les arts en [temps de] crise. Artes[h]oy. Paris: L’Harmattan, 2017 (French).
  • “Los nazarenos: el sueño de fundir arte y vida”, in Blanco, Manuel (ed.). Hecho en Roma. Madrid:Cooperación Española-La Fábrica, 2017, pp. 57-61 (Spanish).
  • “Ali Cherri. Somniculus”, in VV.AA. Selected 12. Artist Film & Video Today. Works & Words. LOOP Barcelona 2017. Barcelona: COLOPHON, 2017 (English).
  • “Lonas, cartones, continuos y fragmentos”, in  Baena, Fernando; Sánchez-Mateos Paniagua, Rafael and Lesmes, Daniel (eds.). Esto es lo verdadero.Madrid: Cruce, 2017, (Spanish).
  • “Embodiment of Femicide in the Work of Regina José Galindo”, in Nasheli Jiménez del Val (ed.). Body between Materiality and Power: Essays in Visual Studies. Newcastle: Cambridge Scholars Publishing, 2016 (English).
  • “Hacia una breve historia de la convivencia entre artistas” / “Verso una breve storia della convivenza tra artisti”, in VV.AA. Processi 143. Rome: Ministerio de Asuntos Exteriores y de Cooperación/AECID/Cooperación Española, 2016 (bilingual Spanish/Italian).
  • “Activism and Camping in Documenta 10, 11 and 13”, in Moore, Alan and Smart, Alan (eds.). Making Room: Cultural Production in Occupied Spaces. London: Other Forms & the Journal of Aesthetics and Protest, 2015 (English).
  • “Epílogo”, in García López, Ernesto. Todo está en Todo. Madrid: Amargord Ediciones, 2015 (Spanish).
  • “DIY Utopias: The Rebel Urbanism of Madrid’s “Acampadasol”, in Guasch Ferrer, Anna Maria and Jiménez del Val, Nasheli (eds.). Critical Cartography of Art and Visuality in the Global Age. Newcastle: Cambridge Scholars Publishing, 2014 (English).
  • “Acampadasol”, in Boyd, Andrew and Mitchell, Dave Oswald (eds.). Bella Revuelta. Santiago, Milrazones, 2014 (Spanish).
  • “Introducción” to the book by Prinzhorn, Hans. Expresiones de la locura. El arte de los enfermos mentales[1921], trans. María Cóndor. Madrid: Cátedra, 2012 (Spanish).

 BOOK TRANSLATIONS

  • Translation of the book by Erwin Panofsky,La Arquitectura Gótica y la escolástica [Gothic Architecture and Scholasticism, 1951]. Madrid: Siruela, 2007 (Spanish).
  • Translation of the book by Eva Fernández del Campo and Henar Riviere (eds.), El arca de Babel. Teoría y práctica artística en el escenario transcultural. Madrid: Abada, 2013 (English).

ARTICLES

  • “El bricoleur y la ciudad. Juan Antonio Ramírez y el sistema del arte en Málaga”, Boletín de arte, 39, 2018.
  • “Introduction”/“Introducción”, REGAC Journal,  4, 2016 (2018), pp. 1-34 (bilingual Spanish/English).
  • “Rave Poetics”/“Poéticas raveras”, A-Desk, November 20, 2017 (bilingual Spanish/English).
  • “La era del testigo”/ “Forensic Architecture at MACBA”, Arquitectura Viva197, 2017, pp 14-15, (bilingual Spanish/English).
  • “Javier Peñafiel, de puño y letra,” Abc Cultural, July 14, 2017 (Spanish).
  • “Marco Godoy: el poder en escena”, EXIT: imagen y cultura, No. 65, 2017 (Spanish).
  • “Art, participation (et) politique” / “Art, Participation and Politics”, Critique d’art. Actualité internationale de la littérature critique sur l’art contemporain, 48, Spring/Summer 2017 (bilingual English/French).
  • “Hieronymus Bosch’s Worlds that Could have Been”, Hyperallergic, September 6, 2016 (English).
  • “Mapping Gentrification and Urban Resistance in Istanbul”, Hyperallergic,May 10, 2016 (English).
  • “Armonías del número. Elena Asins, 1940-2015”, Arquitectura Viva182: Industrial Heritage, 2016, pp. 48-51 (Spanish).
  • “Estudios de caso para una iconografía de protesta”, Boletín de Arte 36, Departamento de Historia del Arte, Universidad de Málaga, 2015, pp. 31-49 (Spanish).
  • “Una urbe nómada”/ “Constant’s New Babylon”,Arquitectura Viva 179, November 2015,  52-55 (bilingual Spanish/English).
  • “Primitivismo pop” / “Jean-Michel Basquiat: A Retrospective”, Arquitectura Viva178, October 2015,  57-61 (bilingual Spanish/English).
  • “Banners and the Madrid 2011 Protest Camp: Reading the Signs of Revolt”, Victoria and Albert Museum, Disobedient Objects blog, April 16, 2014 (English).
  • “Los descampados de promisión de Lara Almarcegui”, Quintana, 11, November 2013, pp. 231-241 (Spanish).
  • “Reclaim the Streets! From Local to Global Party Protest”, Third Text 4special issue, Global Occupations of Art, July 2013 (English).
  • “Historia de los juguetes de construcción, de Juan Bordes” Arte y Parte, 105, June-July 2013 (Spanish).
  • “Madrid’s Renaissance of Occupied Spaces”, The Nation, March 4, 2013 (English).
  • “Reclaim the Streets! From Local to Global Party Protest”, Revista de Estudios Globales y Arte Contemporáneo,1, January 2013 (English).
  • “Corrientes subterráneas. Robert Crumb y el cómic “underground”, Arquitectura Viva,147, 2013, pp. 78-79 (Spanish).
  • “Punk sin punk”, Re-visiones, 3, 2013. // “Punk sans Punk” , Re-visiones, 3, 2013 (bilingual Spanish/English).
  • Beautiful Troubleor How to Move between Art and Revolt”, Re-visiones, 2, 2012 (bilingual Spanish/English)
  • How to Strike Back: A 14N Dispatch from MadridThe Nation, December 10, 2012 (English).
  • “How Young Madrid Rejects Austerity: The What and Why of 25S”,The Nation, October 8, 2012 (English).
  • “Urbanismo de revuelta. La Ciudad de Sol, un manifesto arquitectónico”, Arquitectura Viva, 145, 2012, p. 112 (Spanish).
  • “Clima artificial de primavera: un libro de antifaces, disfraces y sucedáneos”, Ars OperandiSeptember 27, 2012 (Spanish).
  • “Arte de-mente”, El Mundo, September 14, 2012, p. 42 (Spanish).
  • “ABCD City: un diccionario aleatorio de la ciudad de Nueva York” , Paisaje transversal, July 1, 2012 (Spanish).
  • “AVL Ville”, Utopia Today?, Ecole Spéciale d’Architecture, Paris 2010, pp. 26-27 (English).
  • “Regina José Galindo o el cuerpo como nación”, Boletín de Arte, 435-458 (Spanish).
  • “La ciudad desmontable”, Lars, 21, pp. 38-43 (Spanish).
  • “Suntuosa Proa”, in Arquitectura Viva, 126 (2009), pp. 74-75 (Spanish).

TEACHING EXPERIENCE

  • Master class on artistic activism for the American University in Paris, Department of Global Communications, October 13, 2018, .
  • “Crítica de la representación” (Criticism of Representation), course at Barcelona University, Fine Arts Faculty, 2017-2018 and 2018-2019.
  • Dissertation Supervision at UG level, Art History Department, Barcelona University (UB), 2017-2018.
  • Master class, “Artistic Utopias of Revolt” within Barcelona University’s MA programme on Contemporary Art, November 27, 2017.
  • Master Class, “Utopianism”, within MA Programme on Research and Experimentation in Design (Máster Universitario en Investigación y Experimentación en Diseño), BAU, Barcelona, October 6, 2017.
  • Classes on “Political Art” within Anna Maria Guasch’s programme “Postmodernidad”, 2016 (October 10, 18, 27 and 28) and 2017 (November 27 and 28, December 4).
  • Director and lecturer: Contemporary Art and Utopia, Intensive Summer Course. Barcelona University, Art Globalization Interculturality group, On Mediation Platform, Nectar, Barcelona, July 19-24, 2017.
  • Class “Artistic Utopias of Revolt” within Paula Barreiro’s course Last Tendencies, Barcelona University,January 18, 2017.
  • Class “The aesthetic and urban dimensions of the Sol camp”, within Miriam Basilio’s course Spanish Art: 1898-Present, Art History Department of New York University, May 4, 2016.
  • 2008-2010: T. A. for Tufts University and Skidmore College at Madrid campuses. Course works on “History of Contemporary Spanish Art” and in situteaching at the Prado, Reina Sofía, and Thyssen-Bornemisza museums.

CONFERENCE CONTRIBUTIONS

  • “Disguise, Ritual and Cohabitation”, in the panel Art and Community-1: Paths of Collaborative Creativity, 19 Utopian Studies Society International Conference, University Rovira i Virgili, July 11, 2018.
  • “Art, life and prefiguration: stories of contemporary art and intentional communities”, in the panel Aesthetics, Utopia and the Apocalypse, 18 Utopian Studies Society International Conference, University of Gdansk, July 5-8, 2017.
  • “Prefigurative Politics and the Utopian Hoax”, in the panel Solidarity and Utopia in the Era of Brexit and Trump, 18 Utopian Studies Society International Conference, University of Gdansk, July 5-8, 2017.
  • “Miradas utópicas sobre el arte contemporáneo”, XXI Congreso Nacional de Historia del Arte: La formación artística: creadores-historiadores-espectadores, Cantabria University, Santander, September 23, 2016.
  • “Utopian Discourses and Contemporary Art”, 17th Utopian Studies Society International Conference, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 5-9 July 2016 (July 7).
  • Lecture “Using Art’s Tools for Social Change: A Brief Genealogy of Activist Creativity in the West”, 2nd International Conference Critical Cartography of Art and Visuality in the Global Age. Geoaesthetics, Politics and Labour, October 29, 2015, Barcelona University, Museum of Contemporary Art of Barcelona (MACBA).
  • Lecture “La creatividad utópica de los movimientos sociales”, International Congress Utopian Imaginaries. Past, present and future, organized by the Universidad Autónoma de Madrid, Imagest Project-Red Iberoamericana de Estudio de las Utopías [Ibero-American Network for the study of Utopias], Centro cultural la Corrala, Madrid, October 2, 2015.
  • Lecture, “Aesthetic Intervention and Utopian Occupation in the Squatted street of Claremont Road”, in “Utopia and the Ends of the City”, 16th Utopian Studies Society International Conference, Newcastle University, July 3, 2015.
  • Lecture “Activist Archiving: The Case of the 15M Archive”,Barcelona University / Institut National d’Histoire de l’Art, December 16, 2014.
  • “Reclaim the Streets, from local to global party protest”, international conference Art, Criticism and the Forces of Globalisation, Winchester School of Art and Tate Liverpool, September 10-14, 2012.
  • Lecture The Utopian Aesthetics of the Taken Square: Madrid, May 2011″, 13th International Conference of the Utopian Studies Society, The Shape of the Things to come, Universitat Rovira i Virgili, Tarragona, July 18-20, 2012.
  • “AVL Ville”, International ConferenceUtopia today?, Ecole Spéciale de Saline Royale, Arc et Senans, October 22-24, 2010.

SPEAKING ENGAGEMENTS

  • Invited speaker, “Cadaqués, Figueras, Púbol: los entornos de Salvador Dalí como obra de arte total”, Museo Nacional Centro de Arte Reina Sofía (Reina Sofía Contemporary Art Museum), within the course La obra de arte total en el arte contemporáneoNovember 12, 2018.
  • Invited speaker at En los márgenes del arte. Tentativas deemancipación research group, Sala de Arte Joven de la Comunidad de Madrid, Centro las Águilas, MadridJune 13, 2018.
  • Invited speaker, “Confraternités artistiques. Amitié et collectifs”, Penser depuis la frontière. Ateliers de recherche. Expérimentations méthodologiques et épistémologiques entre art et sciences sociales, École des beaux-arts de Nantes Saint-Nazaire, March 20, 2018.
  • Invited speaker, “Sound utopias”, round-table panel Encuentro VANG#5 Desobediencias Sonoras, February 23, 2018.
  • Respondent for all panels in Mutating Ecologies in Contemporary Art II, MACBA-Barcelona University, February 28, 2018.
  • Invited speaker, “Las hermandades artísticas como prototipo. Religión, arte, vida”, Museo Nacional Centro de Arte Reina Sofía (Reina Sofía Contemporary Art Museum), within the course La violencia y lo sagrado en el arte contemporáneoNovember 22, 2017.
  • “Contemporary Art and Intentional Communities”, inForming Collectives Seminar (Petra Lange-Berndt and Isabelle Lindermann, co-ord.), Warburg Haus, October 9, 2017.
  • Invited speaker, “Utopías artísticas de revuelta”, Jornadas Artis sunt communia! (May 11-19), Universidad Complutense de Madrid, Fine Arts Faculty, May 11, 2017.
  • Invited speaker, “El arte y la comuna: observación, simulación, convivencia”, in PERO… ¿ESTO ES ARTE? IX Curso de Introducción al Arte Actual,Centro de Arte 2 de Mayo (CA2M), Móstoles, April 5, 2017.
  • Invited speaker, “The Return of ‘Utopia’: Utopia Station and the Relationship of Contemporary Art to the Social Dream”, at The End of Utopia? symposium, Senate House Library, London, December 6, 2016.
  • Invited speaker, Round table “Artes y Activismo”, in III Encuentro Mil Formas de Mirar y Hacer: Artes y Movimientos Sociales, Extensión Cultural Universidad Pablo de Olavide, Seville, September 29, 2016.
  • Invited speaker, “The Utopian Turn: what is the relationship between contemporary art and utopia?”, Open Z.U.T. Residency, The Koppel Project Hive, London, August 13, 2016.
  • Invited Speaker, Round table, “Il Museo dell´Altro e dell´Altrove o Perché fare un Museo sulla Luna”, with Giorgio de Finis and Jorge Conde, Reale Accademia di Spagna a Roma, Rome, June 14, 2016.
  • Invited Speaker, “Hacia un arte del común”, Arte público en el medio rural courseFernanda García Gil, Isabel Soler and Elizaberta López (dir.), Universidad de Granada, Padul, April 15, 2016.
  • Invited Speaker, “Los espacios utópicos del activismo”, in Jornadas sobre arquitectura y filosofía. Habitar lo inhóspito. Arquitectura en tiempos demoledores, Fernando Castro and David Sánchez Usanos (org.), Universidad Autónoma de Madrid, April 14.
  • Invited Speaker, “Claremont Road, o cómo construir un espacio activista con las herramientas del arte”, in the round table La creación artística y su relación con el entorno urbano, La ciudad demudadacycle, La Térmica, Málaga, February 11, 2016.
  • Invited Speaker, “Utopian practice and political change: Madrid’s 2011 protest camp and the leap from the squares to the town hall”, July 29 2015, Württembergischer Kunstverein Stuttgart.
  • Invited Workshop, “All Power to the Free Universities of the Future: Thinking about the possibility of a Newcastle Free University”, in “In the Regions of Utopia”, 2nd Symposium of the Leverhulme International Research Network, “Imaginaries of the Future: Historicising the Present”, Newcastle University, Newcastle, June 28, 2015.
  • Invited Participation in the dialogue Utopia – No Place: dialogue between Juan Herreros, Jordi Teixidor, and Julia Ramírez, June 9, 2015, NF Gallery, Madrid.
  • Invited Lecture, “El arte utópico de revuelta: de Claremont Road al 15M”, CENDEAC (Centro de Documentación y Estudios Avanzados de Arte Contemporáneo), June 19, 2014 (event organized around the Spanish version of Artistic Utopias of Revolt,with professors Anna María Guasch and Manuel Delgado giving lectures about the book).
  • Presentation of Utopías artísticas de revuelta, Cervantes Institute Paris, May 23, 2014.
  • Presentation and translation of Nicholas Mirzoeff’s lecture “The Right to Look, or How to Occupy”, Barcelona University, November 26, 2012.
  • Round-table panel, Los límites de la utopía: cuatro aproximaciones a escenarios ideales, Residencia de Estudiantes, Madrid, June 6, 2012.
  • Lecture “20th Century Artistic Expressions of Madness” International Symposium The Failed Text/El texto fracasado, at the University of Granada, April 18-20, 2012.
  • Lecture “Vanguardia y locura”, MA programme Arte Terapia y Educación Artística para la inclusión social, Autónoma University (Universidad Autónoma de Madrid, UAM), Madrid, February 21, 2012.
  • Presentation of the scientific poster “Utopías artísticas del mundo contemporáneo: el caso de Claremont Road”, Encuentro de Jóvenes Investigadores, Semana de la Ciencia, Residencia de Estudiantes, Madrid, November 7, 2011,
  • Round-table panel, Lo irracional y lo mágico en la literatura, la historia y el arte. La brujería celestinesca, el vudú en el Caribe y el arte de los locos, Residencia de Estudiantes, Madrid, April 7, 2011.
  • Lecture Art Fou, Real Escuela Superior de Arte Dramático (RESAD), Madrid, January 26, 2011.
  • Presentation of the scientific poster “Utopías artísticas del mundo contemporáneo: AVL-Ville”, Encuentro de Jóvenes Investigadores, Semana de la Ciencia,November 11, 2010, Residencia de Estudiantes, Madrid.
  • Lecture “La historia como obra de arte: los diagramas de George Maciunas,” Seminar En Construcción, Autónoma University (Universidad Autónoma de Madrid, UAM), Madrid, December 8, 2011.

WORK IN MUSEUMS

  • Direction of Grupo de investigación sobre la colección [Research Group about the Collection], MACBA (Contemporary Art Museum of Barcelona), 2017-2018, 2018-2019.
  • Parlem de… el rol del documento. Movilizando archivos[Let’s talk about… The role of the document. Mobilizing archives]. Curated visits to the exhibitions “Akram Zaatari. Contra la fotografía. Historia anotada de la Arab Image Foundation” and “Forensic Architecture. Hacia una estética investigativa” at MACBA (Contemporary Art Museum of Barcelona). April 22, April 29, May 20, and June 3, 2017.

INTERNATIONAL RESEARCH STAYS

  • 05/05/2018 to 08/09/2018:Université de Picardie-Jules Verne Amiens; France; Visiting Researcher.
  • 29/08/2018 to 07/09/2018:Séminaire international d´été de muséologie, École du Louvre Paris; France; Seminar participant.
  • 01/10/2015 to 01/07/2016:Reale Accademia di Spagna Roma; Italy; Postdoctoral Research Fellow.
  • 31/08/2009 to 11/09/2009: Séminaire international d´été de muséologie, École du Louvre Paris; France; Seminar participant.
  • 01/03/2014 to 15/06/2014:École Nationale Supérieure d´Architecture Nantes; France; Visiting Researcher.
  • 01/10/2007 to 01/06/2008:Kunsthistorisches Institut, Freie Universität Berlin; Germany; Erasmus Student in Art history

RESEARCH PROJECTS

  • Art, Globalization, Interculturality (AGI). Research Group in the Department of Art History, University of Barcelona, PI Anna Maria Guasch. PROYECTO I+D MICINN: HAR2010-17403.
  • Historia del futuro: la utopía y sus alternativas en los horizontes de expectativa del mundo contemporáneo, siglos XIX-XXI (HISTOPIA), PI Juan Pro. PROYECTO I+D MICINN.

COMMITTEES

  • Member of the Committee of the Utopian Studies Society.

CONFERENCE AND SEMINAR ORGANIZATION

  • Co-director (with Prof. Anna Maria Guasch and Dr. Modesta di Paola) The Vertigo of Infinity: Babel in the Era of the Global International Conference, Barcelona University (UB), October 25-26, 2018. Keynote speakers include Victor Stoichita, Joan Sureda and Antoni Muntadas.
  • Co-ordination of Taller de escritura crítica II, Barcelona University, On Mediation Platform (May 8, 9, 16, and 31, 2018).
  • Co-ordination of Doctoral Seminar,Barcelona University, May 8, 2017.
  • Co-ordination of Interdisciplinary Research Seminar with Simon SheikhBarcelona University/Tapiès Foundation, November 24, 2016.

OTHER FORMS OF PUBLIC OUTCOME AND ENGAGEMENT

  • Creative and Research Residency at the Syndicat Potentiel Strasbourg, directed by Dr. Lise Lerichomme, 21-27 August 2018.
  • Utopías artísticas”, Coordenadas (prog.), Radio Interview, Radio 3, December 18, 2014.
  • Resaca matemática”, Coordenadas (prog.), Radio Interview, Radio 3, May 25, 2015.
  • Intervention in the film by Miguel Álvarez Fernández and Luis Deltell, No escribiré arte con mayúscula, Spain, 2014, 110 min.

ARTISTIC PROJECTS

  • “Los futuros del pasado gotean cuando rebanas el presente”, Instituto Nacional de Patrimonio, site specific artistic project, December 1, 2018. With Paula García-Masedo.
  • Performative lecture “Chocolate”, Gelatina Festival, La Casa Encendida, Madrid, , May 20, 2018. With Paula García-Masedo.

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